I don’t think I will make many people happy with my feelings about this book. There are pages and pages of raving reviews included with the book, but I must have missed something because I couldn’t wait for it to get to the end. The structure of the story reminded me of Nabokov’s Lolita, told from an outside observer’s point of view - like a neighbor left behind.

The story is written in the present tense by thirteen-year-old Lizzie Hood. Lizzie’s neighbor and best friend, Evie, vanishes, and the story centers on figuring out what has happened to her. Is she dead? Has she been raped, murdered, and dumped in the lake? Lizzie thinks she should know more intuitively. After all, she and Evie did everything together. They lived like sisters. There are numerous sexual innuendos in the story: Evie’s father flirts with Lizzie and Evie’s sister, Dusty. Lizzie’s mother is having sex with a local doctor. And then there is the mysterious man who may have spirited Evie away, fragmenting his own family in the process.

Telling tales in the present tense is difficult because, frankly, the reader is not there where Lizzie is telling the story. Abbott is certainly a skilled writer. A reviewer from the Los Angeles Times called the book a “psychological thriller and a freshly imagined coming-of-age story”. I’m good with the psychological and the coming-of-age, but I don’t see the ‘thriller’ component. Maybe because I really didn’t care what happened to the characters.